A journal of art + literature engaging with nature, culture, the environment & ecology

The Geography of Everyday Things

Siddharth Dasgupta, Poona, India

 

There are tattoos left on this earth, large enough to swallow

time, giant and monster-like from when continents drifted

 

apart—an amicable separation, they called it—or from when

lands came crashing against each other’s flora, filling the lacuna

 

that had widened over millions of years. Breakfast this morning

is artichokes and avocados, scooped and layered over bread

 

filled with whole grains, bought from a woman who bakes them

at home. A plate of bronze cups the intimacies of tasted loaves.

 

We lead such specific lives—a room, a home, a few friends, most

acquaintances really, the glamour of distant summers, the ache

 

of nights buried beneath the hunger of foreign skies, a homeland,

the Buddhism of family, of fragrance, books, lovers, and those

 

continents of desire that have marked themselves on our maps.

I’ve thought about getting a tattoo a few times. Something small,

 

something to roughen my smooth and quieten the jagged. Each

time I think of a rose, or swallows, a word, or a lyric, I remember

 

where I am—on this earth—and how the first tattoos remain

the only ones. A Sahara of sorrows, a Ganga of remembering,

 

to forget, the Amazons of our amnesias, lagoons and Novembers,

islands and driftwood, the Atacamas of our amazement, 

 

the tenderness of the Thar… An Antarctica of believing in things,

and watching them dance into the ocean. Ours are epic lives,

 

if you come to think of it—love and its immensity. Bodies

and belief. I walk into a café and the assurances of coffee. 

 

The day is rife with an unspoken promise. Beneath me, the soil

heaves. I feel my tattoo. And step into a richly-brewed day.


 

 

 

Siddharth Dasgupta is an Indian writer of poetry and fiction. He has written three books thus far, scattered across verse, fictional narratives, and that special somewhere in-between. His words have appeared in The Bosphorus ReviewLunch Ticket, Kyoto Journal, Mekong Review, Poetry at Sangam, Spittoon, Cha, Madras Courier, nether Quarterly, and elsewhere. Siddharth also dives into fragments of travel and culture for a gathering of publications—including Travel + Leisure, Harper’s Bazaar and National Geographic Traveller. He lives within the swirling nostalgias of the city of Poona, where he is currently finessing a novel and two collections of poetry. 

Reach him at: 

@citizen.bliss |https://citizenbliss.squarespace.com/

Editor's Preface

Editor's Preface

The Yield